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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, a key member of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the duo achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He later formed the innovative electronic act The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that show, Ball appeared in a wheelchair, as he had for the previous couple of years, following a period of ill-health.

"I ended up injure myself quite a bit," he commented in 2023. "I fractured lower vertebrae in my spine and fractured about five ribs and broke my arm."

Following contracting pneumonia and suffering from blood poisoning, he was put in an induced coma and stayed in the hospital for seven months.

However, he had been in "a great place mentally" during the warmer months, as he worked on a new album with Almond, called the upcoming Danceteria, which is set for release next year.

"He was concentrated and very pleased with the new album that we literally completed only a few days ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive time for him, and I take some solace from the fact that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant aspect of my existence and for the music you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a partnership with someone is different from being in a group, the bond is very tight," he continued.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Early Life

Brought into the world into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his given name from his birth name to David, alongside his sibling Susan, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both studying fine arts. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Musical Partnership

The pair were an distinctive combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a flamboyant performer, all sparkle and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a fascination with synthesizers after watching the band Kraftwerk appear on BBC science show a popular series, and started to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular single of 1981, shifting 21 million units worldwide. Together with successful tracks by Gary Numan, Human League and electronic acts, it helped cleared the path for the synth-pop sound of the 1980s.

The song was also included on their full-length debut, their initial LP, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's death

Professional Journey

Success had its upsides. "I loved being able to afford my initial property, having money and exploring, which makes me sound like a Miss World," Ball recently shared with a music magazine.

But it also caused problems. "Sudden riches allowed we could afford newfound drugs to relieve the boredom" of press appearances and TV performances, Ball explained.

"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many bands."

Amidst the party-filled existence, the pair were also drifting apart, but they managed to produce a follow-up memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond proceeded to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, producing the charting record Cruelty Without Beauty.

Following another hiatus, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they stayed active, creating their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's upcoming release as a homage to the New York club scene they visited while making their initial records.

He noted that his period in hospital had shaped the group's music.

"I experienced unusual memories when I was in and out of hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the sounds in my mind from those days.
"Simultaneously, it's about the times me and Marc had in the 1980s."

The final mixes were finished only days before Ball died. It is scheduled for release in the spring of 2026.

Written by

Dr. John Singh

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